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Name: Andrew
Location: Australia
Birthday: 5/6/1983
Gender: Male


Occupation: Student


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Member Since: 2/23/2004

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Wednesday, April 19, 2006

GUMMOW J: The train does not leave from the station marked common law. It leaves from the station marked Trade Practices Act.

MR BIRCH: Your Honour, we agree, and we say that---

GUMMOW J: Which is an increasingly sophisticated piece of legislation.

MR BIRCH: Yes, your Honour, our starting position on section 4L, of course, is---

GUMMOW J: You do not want to do that. You want to hug the coast of the common law. Some sort of "return to the womb" fascination of barristers. I just do not understand it.

MR BIRCH: Your Honour, the first thing that section 4L does is---

GUMMOW J: You have been given birth a long while ago. It is called statutes.

MR BIRCH: Well, I am embracing what your Honour is putting to me.

GUMMOW J: You are on a sea of statute.


Friday, September 16, 2005

Ok, this has bothered me for a while. I knew Daniel Radcliffe (aka Harry Potter) looked remarkably like another celebrity but I couldn't put my finger on who. Now I have.

None other than Elijah Wood (aka Frodo). Ok, so it's not a mirror image, but look closely at the Harry Potter photo and I think the resemblance is pretty remarkable. Now that, my friends, is a great spot.


Thursday, July 14, 2005

Finn Brothers Concert, Sydney Opera House, 13/07/05

I went to see the Finn Brothers at the Opera House last night, my first ever live concert. It wasn't at all what I expected. When I imagined a live concert, I thought of mosh pits, crowd-surfing rockers, screaming, and so forth. Obviously, the atmosphere at the Opera House is much tamer, more adult, almost theatre-like. I think this is probably best suited to the Finn Brothers' style of music, which is simple, gentle and lyrical. My main reservation about the concert was that the brothers would simply play their new material, ignoring the Crowded House years. But they managed to strike an incredible balance between new and old, and even very old (their Split Endz staples).

It's incredible poignant to see the brothers verging on old age. And the crowd for that matter was predominantly middle-aged. That most likely explains why the Split Endz material got the biggest round of applause. Still, I cannot go past the Crowded House classics - "Weather With You," "World Where You Live," and "Distant Sun." But I was also really impressed with their new songs, including "Won't Give In," "Disembodied Voices," (when the brothers played in near darkness as the song recounted the two as young boys talking in the dark) and "Part of Me, Part of You." The most poignant moment came when Neil dedicated an acoustic rendition of "Four Seasons in One Day" to Paul Hester, the ex-Crowded House drummer who recently and tragically took his own life.

The performance left me thinking: why don't I do this more often? I really enjoyed the live feel, and the spontaneity of some of the individual songs, particularly when the brothers extended the classics with additional riffs and instrumentation. The only downside was a fairly inconsiderate woman in front of us who insisted on talking to her boyfriend and taking hundreds of photgraphs with a digital camera that would not stop beeping. Still, a good concert is a good concert.    


Wednesday, July 13, 2005

Lonestar Restaurant, Chullora

I will go to the ends of the earth for a good burger. Travelling to Lonestar, Chullora, meant taking this vow quite literally. Going to the ends of the earth, that is, not the "good burger" part. Chullora is an industrial wasteland, part of the sprawling exurban region of Sydney's West. It is also the heartland for Lonestar's consumer base, the type of people for whom plastic, cowboy boots and plastic, buffalo heads on the walls connote cultural authenticity.

Lonestar, Chullora, is located along a particularly scenic stretch of Roberts Road and is positioned unusually (some might say, unwisely) beside a McDonalds Restaurant. Given the large number of trucks in the vicinity and the isolation of the location, we deduced that the restaurant earned most of its passing business from truckers. And we all had a vague fear of entering the restaurant through a set of saloon doors and being stared down by dozens of undernourished, underpayed and underwashed truck-drivers. The reality was even worse. When we entered, we realised with dread that Lonestar is a family restaurant.

That is the first problem with Lonestar (after, of course, the location). Lonestar tries to recreate a Texan Roadhouse ambience, and, by ambience, read "upbeat country music" and "neon beer signs." In fact, the minds behind Lonestar have purged the Texan Roadhouse of all its authentically essential qualities (or so I imagine): its seedy customers, its tarty waitresses, its threat of immanent danger, its barfights, its barflies. Lonestar recreates a tame version of the Wild West, where the customer's greatest danger is food-poisoning. That, and the "upbeat country music."

Initially, we were attended to by a waitress who looked seriously depressed. About halfway through the meal, we all figured out why. According to the restaurant's website: "The staff join in the fun when they perform their own Lone Star style of line dancing during the evenings." Apparently this "unique feature" enhances the "casual dining experience and establishes a distinct identity for the Lone Star concept." I love it how the website construes the staff's forced participation in the line dancing as "joining in the fun", when the ritual really hinges on their utter humiliation. Fair enough, I can enjoy a laugh at somebody else's expense just as much as the next person. The problem, though, is that it makes everybody but very, very young kids (and the particularly sadistic) incredibly uncomfortable. Billy put it best: "I don't see how anybody could possibly enjoy this."

But, of course, the reason we came was for the food, and, in particular, for the burgers. Tim Armitage placed his reputation on the line for the sake of the burgers. Well, I have to say that my burger was mediocre at best. A pet hate of mine is being served an open burger. Why do they do this? So I can have the pleasure of putting my burger together on site? It seems almost as pointless as those restaurants where you cook your own steak. On the plus side, the burger had a couple of good slices of bacon and a fair slice of cheese. I rated the chips very highly. They were a cross between wedges and spicy-shaker fries at McDonalds (what ever happened to those?). A selection of sauces was available and the ranch bbq sauce was strong and tangy. Minuses included the dryness of the burger bun (although not as bad as the stale one I was served at the Hogsbreath Cafe), the fairly small portion, and the ludicrous price (I always assumed things got cheaper the further West you went).

Overall, I was dissatisfied. But then again the company made the night as it always does. I would rate Lone Star somewhere between the appalling lows of the Hogsbreath Cafe and the towering heights of Ribs and Rumps: firmly in the territory of mediocrity. 

So these are the ratings out of 5 stars:

Service:  ** 

Ambience: *

Food: **

Overall: ** (two stars)

This is the first in a planned series of burger reviews. My goal is to find Sydney's, possibly the world's, best burger. Any restaurant, or even fast food, suggestions would be welcomed.


Sunday, July 03, 2005

Well, I've decided to resurrect my xanga, largely on the back on Prav joining the xanga community. Not really sure how xanga died for a while. There wasn't really one moment that I can pinpoint as its decline, more just a steady fading away of people and interest.

Anyway, here's an interesting website. Not sure whether it's the product of comic geniuses or Star Wars losers with too much time on their hands. In any case, you have to pay the interesting montage technique. The page is titled "Tom Cruise kills Oprah": http://tcruiseko.ytmnd.com/



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